This design features earthy tones to compliment the photograph of Enya posing outside an old church. The photo of Enya takes up most of the space on the front cover design. The blue gives the design a much colder feel and the branches in the background had an almost wintery theme. This album’s colour scheme consists entirely of hues of blue, except for the logo in a golden colour. This is the first appearance of the Enya logo in a golden hue that matches the background and the font used on the interior appeared almost handwritten which suited the rest of the design well and is still rather popular among fans. The colours are a mix of warm dark reds which are reflected in Enya’s lip colour and cool blues in Enya’s outfit as well as golden brown and black. Half of Watermark’s design consists of rough painted flowers over an abstract background, and the other half of it is a rather melancholy photograph of Enya. It is, however, quite a suitable design which suits the decade of its release. This album does not yet feature the more theatrical and elegant wardrobe of her later albums and it is clear to see that the Enya brand and image had not yet been established with her debut album.
It appears the Enya logo we all know had not yet been developed at this stage. This image is confined inside a small block in the centre of the album with the word “Enya” written above in caps using an unfamiliar font. A graphic artist reviews the album artwork Lizzy1eĮnya’s self-titled first album featured a rather stark black and white image of her crouched between, what appears to be two angry guard dogs.